That Which Grows in the Swamp is Swallowed by the Stomach

curated by Andie Aylsworth

PRIVATE VIEW Thursday 16th May 6-9pm 2024
Unit 3. Euston Tower. 286 Euston Road London NW1 3DP
Open 17th May – 22nd June 2024
Thursday – Sunday 12 – 6pm
Kindly supported by British Land

‘That Which Grows in the Swamp is Swallowed by the Stomach’ is a two-part exhibition that delves into the complex intersections of posthumanism and anthropocentrism. This project offers a profound exploration of the dynamic interplay between organic and inorganic, and human and nonhuman. In part I, “LAND,” artists deconstruct the nature vs. culture narrative through traditional-ecological-knowledge, reshaping our understanding of our shared environment. In part II, “HAND,” the focus shifts to the human body’s otherness, embracing notions of the abject, and ambiguity. In proxemics to their recent graduate show, the artists reunite to showcase the evolution in their practices’ a year later. This iteration of the exhibition aims to challenge preconceived notions and inspire a deeper understanding of our place within it.

This group has seamlessly melded their diverse perspectives to forge a collective practice that transcends boundaries and conventions. Rooted in the realms of posthumanism, ecology, and sustainability, their work is a poignant reflection of our ever-evolving relationship with the natural world. Simultaneously, they draw from the rich tapestry of mythologies and the abject, weaving these intricate narratives into their creations. Their innovative approach to art has garnered well-deserved recognition from esteemed awarding bodies such as LVMH, Maison/0, CassArt, the Other Art Fair, and the Barry Moore Foundation. Together, they inspire thought-provoking dialogues on the intersections of humanity, nature, and tradition.

The public program for this exhibition includes an In Conversation panel discussion with curators, artists, and representatives from ICF, delving into the intersection of art, sustainability, and global ecological concerns. Along with curator-led tours offering visitors deeper insights into the showcased ecological-based art and illuminating the significance of artworks crafted from notions of care for our surrounding environment. These thought-provoking dialogues foster a broader understanding of the exhibition’s themes, encouraging critical thinking about our environmental impact and the role of art in addressing these issues.

Artists

Andie Aylsworth
Dien Berziga
Kai Yan Cheung

Eleanor Cox
Kate Fisher
Sohyun Han

Ola Kowalewska
Keyannah Isaacs
Mica Li

Holly Lou Jones
Ruby May Lewis
Tash Tudor

contact information

Email: [email protected]
Websites: https://andieaylsworth.com
Socials: @andie.aylsworth.art

Featured Artworks

Andie Aylsworth

Keehl III, 2024, 120 cm x 50 cm, Pinned to the wall ,Stoneware ceramics

Andie Aylsworth

The Sympoietic Mind Lies Beyond the Gate, 2023, between 2 walls, Reclaimed steel

Dien Berziga

Orchard, 2023, Oil on canvas with, gilded 3D printed frame

Dien Berziga

Via Aurelia, and its Men, 2023, Oil and Charcoal on canvas

Ola Kowalewska

Shrouded in Load, 2023, 125x90cm,, Paper clay, ceramic, PVA on MDF

Keyanah Isaacs

Moving past the brush border, 2024, Oysters 13-16cm, Floor Installation, Oysters, Resin, Milk, Salt

Ruby May Lewis

“An Ode to the Bacchante and the Revelling Ram that does not Whisper, but Shouts, Bacchus!“, 2024, 61 x 46 cm, Oil on Linen

Keyannnah Isaacs

Sprouting. A Nest for Things to Breed, 2023, varied, agar, white sesame seeds, black sesame seeds, seaweed, sunflower, daffodil, milk, pva, black tea, water, baby oil, plastic, powder, soil, welded steel.

Kate Fisher

To have and to hold, 2024, 297 x 420 mm, Graphite on Paper

Soyhun Han

Limen: between breath and stone, 2023, 70 x 50 x 150 cm, Metal, resin, plaster, cement, sand and sound system

Tash Tudor

Hang Tight, 2023, atex, wax, agar and chain

Mica Li

The Unknown, 2024, 1.1m x 0.7m x 0.15m, culms, piano hammers, iron wire, yarn, bee wax

Kate Fisher

‘Ave a Butchers, 2023, 1.5 M (pole L) x 1.6 M (Pole height from ground), printed soft sculptures, metal, curtain rail, ribbon, found object (minus tv sets)

Ruby May Lewis

‘My Mother fed me seeds, Now I feed the ground, and the ground feeds me., 2023, 100 cm x 183 cm, Oil on Linen

Mica Li

Softness of Time, 2023, 1.5m x 1m x 1.5m, concrete, sheep spine, feathers

Tash Tudor

Get the horse off my back!, 2024, 100cmx150 cm, Oil on Canvas

Holly Lou Jones

Hook Me Up, 2024, 24cm x 40cm (plus fixings), installed with curved metal fixings attached to the wall that allow the work to hang about
30cm away from the wall. small LED lights will be attached to the wall behind the work., liquid latex, steel, wire, silver solder, meat hooks, chains, varnish

Kai Yan Cheung

No Longer Fear the Wind, 2024, 35 x 35 x 35cm, leaf, silver cotton threads, pillow, silk

Kai Yan Cheung

To Plant a Fallen Seed, 2023, 103 cm x 103 cm x 10cm, Wall Hung, birch and hazlenut (no bench, but shelf under for instruments)

Eleanor Cox

Morpheus Lives in the Dark, 2023, 225 cm x 109 cm, Wall Hung, Oil on Canvas

Ola Kowalewska

Stos, 2022-2023, 15 cm x 20 cm x 20 cm, Ceramic

Holly Lou Jones

Hook Me Up, 2024, 24cm x 40cm (plus fixings), installed with curved metal fixings attached to the wall that allow the work to hang about
30cm away from the wall. small LED lights will be attached to the wall behind the work., liquid latex, steel, wire, silver solder, meat hooks, chains, varnish