Symbiotic Epidermis

curated by John Angel Rodriguez 

15 Great Cumberland Place, London W1H 7AS

PV: Thursday, 26th June, 6 – 9pm
Open: 27th June – 19th July 2025
Wednesday – Saturday, 12-6pm

A ground-breaking new exhibition, Symbiotic Epidermis, is set to open at HYPHA Studios Galley Marble Arch, inviting audiences to explore the complex relationship between human identity, technology, and the environment.

This project delves into core concepts of posthumanism philosophy, transhumanism, and new materialism, examining the skin as a dynamic interface where biological, technological, and environmental systems converge.

Symbiotic Epidermis moves beyond viewing the skin as a mere boundary. Instead, it positions it as a profound site of exchange and transformation, echoing posthumanism ideas of interconnectedness and transhumanist visions of bodily enhancement and evolution. The featured artworks vividly depict the skin merging with external organisms or technologies, subtly blurring the lines between the human and non-human, natural and artificial. Through these powerful artistic explorations, the exhibition prompts vital inquiry into the future of human identity in an increasingly hybrid world.

To foster deeper public engagement and understanding, Symbiotic Epidermis will extend beyond the gallery space with a dynamic series of public activities. These include talks by exhibiting artists and leading specialists, guided tours, and interactive workshops, transforming the exhibition into a vibrant learning laboratory. A particular focus will be placed on investigating critical themes such as haptic communication for inclusion and neurodiversity.

Adopting a “transversal research” approach, the project actively involves scientists, artists, and researchers in collaborative dialogue. The exhibition itself will serve as the central hub for this rich, interdisciplinary engagement.

 

 

Artists

Damaris Athene
Agata Przyżycka
Ellen Gilbert
Amos Nappo
Tunçhan Kalkan
Ishilla Aleksandra
Kamila Śladowska
Laura Kazaroff

Wanrong Zhu
Olivia Bloodworth
Steves Bouvier
Katy Beltran
Felipe Lozano
Ana María Devis
Emma Windsor Liscombe
Johanna Arenas
Andrés Londoño

featured artworks

 

Damaris Athene

Fruiting_Body.008, 2024
Kiln formed glass, mirror glass, fabric, polyester fiber, foam nuggets, foam, wood, MDF, chicken wire and acrylic paint
H 23 cm x W 110 cm x D 120 cm

Agata Kaja Przyżycka

They taste like crushed wild strawberries, 2025
Oil on canvas
40 cm x 60 cm

Agata Kaja Przyżycka

Is it the awareness of a caress, 2025
Oil on canvas
40 cm x 60 cm

Olivia Bloodworth

SPECIMEN parts 1 & 2, 2024
Acrylic on canvas
70 cm x 90 cm each

Ishilla Aleksandra

Oreithyia as American Beauty, 2024
Oil paint on canvas
101 x 152cm

Kamila Śladowska

Growing Interconnectedness, 2023
Oil on linen
65×113 cm

Laura Kazaroff

Defence mechanism enhancer, 2024
Found objects, steel, aluminium, high impact polystyrene, PLA, acrylic, mdf, polystyrene, silicone.
50 cm x 70 cm x 11 cm

WANRONG ZHU

WHITE LILY’S REQUIEM, 2023
Museum-grade archival pigment print, produced with high-resolution giclée printing on Hahnemühle Photo Rag 308 gsm paper
205 cm x 117 cm

Ana María Devis

Symbiotic Relations, 2022
Digital Image
C-Type Fuji Pearl print Mounted on Aluminum with fixing battens
40 x 26.7 cm

Ana María Devis

Symbiotic Relations, 2022
Digital Image
C-Type Fuji Pearl print Mounted on Aluminum with fixing battens
40 x 26.7 cm

Emma Windsor Liscombe

Jane I, II, III, 2023
Oil on panel
25,4 x 25,4 cm each

Felipe Lozano

FLESH, 2023
Digital Image
Sublimed mounted on aluminum (Chromalux)
70 x 70 cm

Olivia Bloodworth

SPECIMEN parts 1 & 2, 2024
Acrylic on canvas
70 cm x 90 cm each

Olivia Bloodworth

DUCKLING, 2025
Acrylic on canvas
91 cm x 61 cm

Steves Bouvier

I Genuinely Want to Understand, 2024
Oil on Canvas
122 cm x 91.5 cm

Andrés Londoño

Maternity (portrait of my art history), 2008
Oil on Canvas
150 cm x 120 cm

WANRONG ZHU

WHITE LILY’S REQUIEM, 2023
Museum-grade archival pigment print, produced with high-resolution giclée printing on Hahnemühle Photo Rag 308 gsm paper
205 x 117 cm

WANRONG ZHU

WHITE LILY’S REQUIEM, 2023
Museum-grade archival pigment print, produced with high-resolution giclée printing on Hahnemühle Photo Rag 308 gsm paper
205 x 117 cm

Johanna Arenas

Technotopia, 2025
Video loop AI
Mounted on tablet
4K

Tunchan Kalkan

SECOND SKINS / INTERFACES OF BECOMING, 2024
45 cm x 65 cm

Katy Beltrán

BLONDE, 2025
Digital photography Sticker Vinyl
39inch (width) x 60inch (height)

Katy Beltrán

PRETTY LEGS, 2025
Digital photography laser print and Acetate
68inch (width) x 66inch (height)

Katy Beltrán

LOCKDOWN, 2025
Digital photography Pigment print on transparency
26inch (width) x 72inch (height)

Amos Nappo

EXO 03, 2024
Aluminum, Fasteners, Magnets.
200 x 80 x 60 cm.

contact information

Website: https://greycubeprojects.com/
Socials: @greycubeprojects
Email: [email protected]