Chaos and Hope
Curated by Alysha nelson
Hypha Gallery Sugar House Island 1. 6 Sugar House Lane, London, E15 2QS
PV: Thursday, 14th November, 6 – 9pm
Open: 1st November- 7th December, Thursday – Sunday, 12 – 6pm
Chaos and Hope: A Playground for Change is a presentation of selected works that interrogate the interplay between moments of disturbance and hope; positing play as a pivotal yet frequently marginalised construct that underpins the emotional resilience essential for sustained activism. This exhibit transmutes the gallery space into an arena of creative defiance, facilitating an embodied conversation via the convergence of still and live, performance and spectator, community and participation; a critical examination of play’s ontological role as a transformative agent – one that can catalyse profound social change and collective empowerment.
i-dont-have-an-art-history-phd translation:
Marginalised artists are TIRED of constantly being expected to centre suffering in their work, & of feeling like their pain is being commodified. Yes, struggle is real, but so is ݁ ⟡ ݁ joy ݁ ⟡ ݁ ., and this exhibit is a celebration of that.
Joy and play are often overlooked, but they’re essential for keeping movements alive and sustainable. This exhibit is a protest, challenging the typical gallery experience by breaking down the barriers between artist x viewer, and the traditional white-box art world. It asks, who gets to decide what art is, and who art is actually for? By making space for play and joy (!!!), these artists are taking back control and reshaping the narrative.
Artists
Chris Tegho
Christine Adams
Elisabeth Gunawan
Saksi Bisou
Frederick Kannemeyer
Futuristic Pagan
Hugo Schaepelynck
Ksenia Kazintseva
Theo Ritzinger
Vroomlab
Mostafa S. Ebrahimi
Yekta Jebelli
Meghna Saji
June Kuhn
Featured Artworks
Elisabeth Gunawan
2023
Theatre AW7I7454
Elisabeth Gunawan
2024
Photography
Elisabeth Gunawan
2022
Photography
Elisabeth Gunawan
2024
Photography and Digital Art
Futuristic Pagan
Jackson Chifamba & Joel Chandauka
Year: 2024
360 Film
Mostafa S. Ebrahimi
2024
Medium: Virtual Reality
Mostafa S. Ebrahimi & Meghna Saji
2024
3D Models, Arduino
Ksenia Kazintseva
Acrylic on wood
2023
120x50cm
Ksenia Kazintseva
Oil, wax, acrylic, ink and thread on found table cloth
2024
1.5x2m.jpeg
Hugo Schaepelynck
2024
Performance 30min
Ksenia Kazintseva
Mixed media installation
2024
1x1x1m
Yekta Jebelli
2024
Digital Illustration
25×25
Theo Ritzinger
2023
47.2 x 30.3cm
Oil on Panel
Theo Ritzinger
2023
34.7 x 44.3 x 6.6 cm
Acrylic, Balsa, Birch-ply, Oil on Panel
Theo Ritzinger
2023
40x47cm
Oil on Panel
Vroom Lab
Exhibit01 2024
Vroom Lab
Exhibit02 2024
Vroom Lab
Exhibit03 2024
Vroom Lab
Vroom Lab
Vroom Lab
Vroom Lab
Vroom Lab
Vroomlab
(Erin Guan & Isabel Sun) – Emptiness Web – 2024 – 3D Modelling, Digital Art.png .png
Chris Tegho
Technology, 3D modeling, AI
Christine Adams
The installation explores themes of memory, documentation and conservation. The origami boxes and concertina installation are a display of play but layered with the human instinct to memorialise and record history as a protest against time. Christine records as many memories that come to mind during the creation of the origami boxes, in the hopes that her accounts are not forgotten and woven into the history of human life. Both works (Ashes to Ashes, Dust to Dust and Our Story) piece together memories of communities, of a moment in time.
Elisabeth Gunawan
2023
Theatre
AW7I7454 2
Frederick Kannemeyer
This photography series explores the idea of objects or toys filling a void after being discarded, abandoned and replaced. The images highlight how the object’s past and the memories it carries often transcend its physical presence.
This series captures the intersection between materiality and memory, revealing how objects fill the emotional void left behind after their use ends.
In 2024 LettersExchange We thrive on imaginative conversations and anti-storytelling, where ideas derived from reality blurs with fantastical imagination. Our minds are playgrounds for tales that reflect our inner monologue, exploring who we are and who we are evolving to become as queer women in the 20s. The theme of fluidity is to us, a methodology. Our artwork is primarily digital, unfolding in a space which is inherently transient. Our process often begins with emails, before being recrafted as 2D and 3D visuals. We use text to capture the flowing motions of subconscious ideas, and it’s then handed over from Erin to Isabel (yes, we are an artistic collective consisting of two people), to be selected, reworked, communicated, misunderstood and shaped into visual images. These exchanges aren’t our attempt at escapism, they’re acts of creation, shaping new realities where fluidity is celebrated, rigidity is rejected, and every form of love and identity is attended to and embraced. Our art and words echo the theme of ‘Play’ and ‘chaos’, weaving together our collective memories and we are each other’s neuroqueering muse. We aim to create an anti-capitalist production, by working to create and record the beauty of everyday philosophy.
Vroomlab Artist Bio:
Vroom Lab is founded by Erin Guan and Isabel Sun, is a London-based multidisciplinary creative duo. Their artistic process is often driven by a critique of the simulated human experience online through visual storytelling and meanderings.
Before 2024LettersExchange, our journey took place in other digital playgrounds including VR and Video design. Vroom Lab created Chamber404, a VR performance in 2021 in response to the lone human experience living in covid. This was exhibited internationally across Taiwan and the UK (trailer: https://www.youtube.com/watch?v=ES0oEQ_Lhd4). Their performance work Salmon On Feet has been shortlisted by YCP21 Young Company Programme Shanghai. Their recent video designs were featured in The Dao of Unrepresentative British Chinese Experience at Soho Theatre and Your Lie in April at Harold Pinter Theatre.
contact information
Email: [email protected]
Website: alyshanelson.com
Socials: @alyshanelson