hylē: a language without words
Curated by Anya Mokhova
PV: Monday, 12th October 2026, 6 – 9pm
Open: 8th October – 15th November 2026, Thursday-Sunday 12pm – 6pm
«A Language Without Words» takes its cue from hylē — the Ancient Greek word for a sculptor’s raw material, before Aristotle borrowed it to name matter itself. Long before it meant “matter” in the abstract, hylē was simply timber ready to be worked: potential, waiting for form. In the exhibition each material is treated in this original sense — as substance with its own behaviour, memory and voice, rather than a neutral vehicle for an artist’s idea.
Bringing together ten sculptors working across ceramics, glass, metal, textile and mixed media, the exhibition traces how materials are burnt, fractured, stretched, layered, cast and constructed, carrying traces of touch, labour and previous lives — each work a record of the passage from potentiality to form. The exhibition uses the space as a single unified installation rather than ten separate zones — works interspersed by material affinity rather than by artist, so visitors read the space as one continuous material conversation.
Wax and tallow hold warmth and memory; blown glass carries trapped breath; fired porcelain keeps the record of pressure and heat; cast aluminium bears the traces of floristic findings; wool, burnt fabric and cord retain the trace of land, fire and touch. Across ten distinct practices, the through-line is material as something that has been somewhere, held something, survived something. It is hylē in its oldest sense: matter caught mid-transformation, still legible as the thing it was before it became the thing it is.
Artists
Ekaterina Adelskaya
Eleanor Havsteen-Franklin
Lana Locke
Maria Koshenkova
Sam Shaw
Sato Sugamoto
Artwork list

Anya Mokhova
Bronze
12 x 9 x 9 cm

Anya Mokhova
beeswax, gelatin, lingerie, tallow, lipstick
19 x 10 x 8 cm

Anya Mokhova
Beeswax, gelatin, lingerie, tallow, lipstick
29 x 10 x 9 cm

Anya Mokhova
Beeswax, gelatin, lingerie, tallow, lipstick
40 x 13 x 11 cm

Ekaterina Adelskaya
25 × 62 × 5 cm

Ekaterina Adelskaya
charcoal and earth pigments on burnt artificial silk
96 x 120 x 35 cm
Eleanor Havsteeen-Franklin
Porcelain and silicone
24 x 20 x 20 cm

Eleanor Havsteen-Franklin
Porcelain
17 x 11 x 9 cm

Eleanor Havsteen-Franklin
Porcelain and speaker cable
33 x 20 x 25 cm (with speaker cable)

Eleanor Havsteen-Franklin
Pulmones Maris II, 2025
Porcelain
32 x 28 x 8.5 cm

Eleanor Havsteeen-Franklin
Porcelain and cement cast
32 x 16 x 19 cm

Irina Razumovskaya
55 x 40 x 7 cm

Irina Razumovskaya
Porcelain, stoneware, glazes
70 x 55 x 50 cm & 70 x 55 x 7 cm

Lana Locke
Aluminium direct burnout
67 x 15 x 15 cm

Lana Locke
Aluminium direct burnout
90 x 22 x 19 cm

Maria Koshenkova
Blown sculpted glass, hand dyed natural rope, glass
42 x 22 x 19 cm

Maria Koshenkova
Yngel IV, 2026
Sculpted blown glass, powder coated steel, glass
39 x 20 x21 cm
metal 35 x 15 x 5 cm

Meredith McGee
Glazed and stained porcelain
26 x 22 x 8 cm

Meredith McGee
glazed and stained porcelain
36 x 30 1.5 cm

Maria Koshenkova
Yngel I, 2026
Blown sculpted glass, hand dyed natural rope, glass
42 x 22 x 19 cm

Meredith McGee
Press moulded porcelain, celadon glaze
multiples

Sam Shaw
Tarpaulin, moss, grass, dandelion heads, plant fragments, soil, wax, sheep food sacks, iron, emulsion and oil paint
280 × 320 cm

Sam Shaw
32 ewe_s fleeces and found iron
240 x 200 cm

Sato Sugamoto
String, yarn, foam, aluminium, wood
30 x 15 x 5 cm

Sato Sugamoto
String, yarn, foam, aluminium, wood
40 x 15 x 6 cm

Stella Arion
Bearing, 2023
black clay, industrial glazes
115 × 60 × 40 cm

Stella Arion
Black on Black, 2025
black clay, industrial glazes
13 × 26 × 43 cm

Stella Arion
black clay, industrial glazes
42 × 16 × 20 cm
contact information
Email: [email protected]
Website: https://anyamokhova.com/
