Yesterday Was November 18, Tomorrow Will Be Too

 

Curated by Rusha Cheng & Zhuoran Fu

Hypha HQ, Unit 3, Euston Tower, 286 Euston Road, NW1 3DP


PV: Thursday, 10th September 2026 2026, 6 – 9pm
Open: 11th September – 3rd October 2026, Monday – Saturday 11 – 6pm

How fully do we inhabit the present? Too often, it appears only as a passage between what has been and what is yet to come, shaped by memory, anticipation and the expectation of progress. Beneath everyday sameness, slow changes continue to gather in bodies, materials and memories.

Drawing on the temporal structure of Solvej Balle’s On the Calculation of Volume, the exhibition takes November 18 as a model for a present no longer organised by linear progression. In the novel, the protagonist Tara Selter becomes detached from linear time and remains within the same date, which repeats without ever becoming identical. By holding a single day open through recurrence, the exhibition asks what becomes visible when forward movement is suspended.

Within this temporal framework, the nineteen artists enter the present through different material languages and experiences of memory, perception, the body and place. Across diverse media, repetition takes the form of mechanical movement and ritual gesture, layering and erosion, recurring images and motifs, and sustained acts of looking, listening and remembering, bringing subtle differences into view.

Across the gallery, attention moves inward and outward, between changes registered within the body and those unfolding across objects, environments and the lives of others. Arranged along these intersecting directions, the works bring memory, sensation and private experience into contact with material, social and ecological conditions.Visitors move through overlapping rhythms as each work changes how the next is encountered. Private experience becomes perceptible to others, and inhabiting the present together becomes an act of attention and responsibility.

Yesterday Was November 18, Tomorrow Will Be Too is a group exhibition featuring works by nineteen emerging artists, curated by Rusha Cheng and Zhuoran Fu, who work together as the independent curatorial collective Sensaflare(@sensaflare).

Artists

Annabel Cator
Charlotte Miles
Chuhan Xiao
Danbi Kim
Hantao Zhuang
Hyunjee Kim
Ivan Ko
Jidapa Suvanvihok
Julia Szerszen
Lara Chahine
Lotte Johnson
Margot Blackk
Miki Takekawa
Milo Timlin
Nata Hamilton
Natasha Botelho Cook
Olivia Jee Yun Joung
Seraphina Mutscheller
Sohee Goo

Artwork list

 

Annabel Cator

How time moves us, how we move time (triptych), 2026
Oil on canvas
105 × 160 cm each

Annabel Cator

It’s Night Time But the Birds are Singing, 2026
Steel, 3D polymer, spray paint, pearl pigment, steel mesh, chiffon
25 cm x 25 cm x 60 cm each (when closed)

Charlotte Miles

A Load of Old Pony, 2025
Oil paint on plywood, horse hair, motors
60 × 200 × 180 cm

Chuhan Xiao

Archive of Echoes, 2025
Cupronickel, acrylic
30 × 30 × 10 cm (when displayed open)

Chuhan Xiao

Stitched with Silence, 2025
Glass, sterling silver
10 × 10 × 15 cm

Chuhan Xiao

Weaving the Unheld, 2025
Fine silver, quartz
8 × 8 × 9 cm

Danbi Kim

The Folded Traces, 2025
Plaster cast printmaking on polyester organza
68 × 72 cm

Danbi Kim

The Flowing Traces, 2025
Sublimation printing on silk organza
48 × 43 cm

Danbi Kim

The Memory , 2025
Polyester organza
52 × 39 cm

Danbi Kim

The Palimpsest of Where We Live, 2025
Sublimation print on polyester organza
49 × 72 cm

Hantao Zhuang

Held by the Tide, 2026
Photography print on fabric, stones, wooden door wedges
360 × 240 cm

Hyunjee Kim

Reflection of the Breeze, 2026
Plaster, matt medium
D70 x W90 x H205 cm
D60 x W105 x H55 cm
D50 x W55 x H135 cm

Ivan Ko

What Did the Hare Hear (1), 2026
PLA, synthetic fibres, resin, audio
78 × 235 × 133 cm

Danbi Kim

What Did the Hare Hear (2), 2026
PLA, synthetic fibres, resin, packing blanket
45 ×23 × 15 cm

Jidapa Suvanvihok

Trace Fossil: A Constellation of Footsteps, 2026
Wooden box, LED lighting, generative sound, and booklet
120 × 120 × 35 cm

Julia Szerszen

Where is Soul Stored in Spaces, 2026
Print on fabric, print on wallpaper
Dimensions variable

Lara Chahine

I know the clouds won’t look the same, 2025
Fine art photographic print in aluminum frame
30 × 20 cm

Lara Chahine

About Love Not Romance, 2026
Hand-bound print publication with metal fixings
21 x 29.7cm

Lara Chahine

Thrones of Earth and Heaven, 2026
Lebanese monobloc chairs with metal and ceramic fixings
60 × 50 × 85 cm each

Lotte Johnson

Glimpse, 2026
Oil on glass
40 × 30 cm

Lotte Johnson

Held, 2026
Oil on canvas
25 × 50 cm

Margot Blackk

49% Violet, 27% Blue, 0.4% Green, 2026
Oil on canvas
120 × 100 cm

Margot Blackk

72% Wine, 18% Burgundy, 8% Indigo, 2025
Oil on canvas
120 × 90 cm

Miki Takekawa

Beneath the Leaves, 2025-2026
Monoprints
12.7 × 17.8 cm each

Milo Timlin

Unititled, 2026
Household objects
50 × 50 × 140 cm

Milo Timlin

Unititled, 2026
Household objects
30 × 30 × 100 cm

Milo Timlin

Unititled, 2026
Household objects
30 × 30 × 80 cm

Nata Hamilton

the House is the Body, the Body is My Home, 2025
Mixed-media: etched window-glass, horsehair, satin ribbons, charred pine, rusted mild-steel brackets
75 × 45 × 10 cm

Natasha Botelho Cook

Cerração, 2026
Oil, ink, indigo, salt, charcoal, chalk, and pastel on salvaged sailcloth; rope and tarred twine; mooring cleat; piston hanks; wooden wedges
178 × 355 cm

Natasha Botelho Cook

Deslumbrado, 2026
Oil, ink, indigo, salt, charcoal, chalk, and pastel on salvaged sailcloth; rope and tarred twine; mooring cleat; piston hanks
145 × 427 cm

Natasha Botelho Cook

Saudade, Anseio, 2026
Oil, ink, indigo, salt, charcoal, chalk, and pastel on salvaged sailcloth; rope and tarred twine; mooring cleat; piston hanks
145 × 427 cm

Olivia Jeeyun Joung

Passing Encounters 2, 2025
Oil on canvas
100 × 100 cm

Olivia Jeeyun Joung

With Love, #1, 2026
Minhwa paint on mosi fabric
17.9 × 17.9 cm

Olivia Jeeyun Joung

With Love, #2, 2026
Minhwa paint on mosi fabric
17.9 × 17.9 cm

Olivia Jeeyun Joung

With Love, #3, 2026
Minhwa paint on mosi fabric
17.9 × 17.9 cm

Olivia Jeeyun Joung

With Love, #4, 2026
Minhwa paint on mosi fabric
17.9 × 17.9 cm

Seraphina Mutscheller

Before the Rising Sun, 2026
Pigment and binder on Scottish linen
40 × 60 cm

Seraphina Mutscheller

Ode to the Nightingale, 2026
Artist pigment (red cedar charcoal) and binder on mud-dyed cotton
44 × 66 cm

Sohee Goo

Point, 2025
Fabric print on wood panel
15 × 20 cm each

Sohee Goo

Point, Line, and Plane, 2025
Inkjet print on paper and aluminium frame
200 × 21 × 10 cm

contact information

Email: [email protected]
Instagram: @sensaflare