A Year Spent Grieving

curated by This Cruel Temple

Unit 3, Euston Tower, 286 Euston Road, NW1 3DP

PV: Thursday, 27th February 2025

Open: 28th February – 5th April 2025, Tuesday – Sunday, 12-7pm

Kindly supported by British Land in partnership with Hypha Studios

The Temple has revealed its soft innards. A Year Spent Grieving asks its visitors how loss travels through the walls of the body, and how a sense of home, cohesion, faith, and knowledge may find themselves strewn apart in the spaces occupied by the living, decayin linguistic and corporeal body. Meaty, visceral, grating and uncertain, the exhibited work pulls together five Artist’s individual practices with collaborative writing and curation. An anxious, sincere and transitional microcosm is formed through sculpture, film, painting and sound installation, wherein the This Cruel Temple collective seeks to override Hypha Gallery with sensorially disruptive and commanding artworks. Space and form converge in a current of loss and creation, inviting audiences to stay with the work and partake in various workshops and Artist talks hosted throughout the exhibition’s opening.

 

About the Collective:
The Artists Hannah Kate Absalom, Hollie Palmer, Meej Douglas, Bodie Stanley and Em Doodles met at Central Saint Martins and curated their first group show, This Cruel Temple in 2024. Absalom was awarded the Cass Art Graduate Award in 2024, completing a residency with Acrylicize and the Working Class Creatives Database at The Art House. Douglas won the Helen Scott Lidgett Award for his film Sublinded (2024). The Artists produced a second group show, But We Could Be Dining Anywhere at Farsight Gallery in Soho. The Artists utilised a collaborative approach to curation that melded individual work to form an immersive, tactile realm of bubbling baptismal fonts, uncanny domestic scenes seeping out through tendrils; fluids and metallic clangs traversing the space dissolution and decay. Palmer has recently produced a solo show, Feeling at Home in Both Gallery, Archway and Doodles’ work was part of The State of Nature exhibition at Hanbury Hall with Liminal Arts.

Artists

Hannah Kate Absalom
Em Doodles
Meej Douglas
Hollie Palmer
Bodie Stanley

Featured Artworks

Bodie Stanley

Five Field Mushrooms, 2024
Steel, Brass, Copper, Wood and, Concrete
26x29x19

Bodie Stanley

Dryad’s Saddle, 2025
Brass, steel, wood and concrete
27x27x25

Bodie Stanley

One Field Mushroom, 2024
Steel Brass Copper Wood and Concrete
17x13x12

Bodie Stanley

One Parasol, One Fairy Ring and Five Field Mushrooms, 2025
Steel, Brass, Copper, Wood, Conctrete
38x38x36

Bodie Stanley

Spillage, 2024
chalk board paint, acrylic paint on canvas Steel slotted shelving angle frame
59.5×49.5×4

Em Doodles

‘Ceramonious’
75cm x 50xm
Oil on wooden cabinet

Em Doodles

‘Shall wee love ill things joyn’d, and hate each one?’
25cm x 78cm x 41cm,
Plaster bandage, gum strip, tape, clay, nails, tissue, acrylic, resin, human hair

Em Doodles

Soon, Swimming
51cm x 40cm
Oil on canvas

Hannah Kate Absalom

Newlyth Sacellum Icon I, 2024
Concrete
17x25x2cm

Hannah Kate Absalom

Newlyth Sacellum Icon II, 2024
Concrete
17x25x2cm

Hannah Kate Absalom

Newlyth Sacellum Icon III, 2024
Concrete
17x25x2cm

Hannah Kate Absalom

Newlyth Sacellum Sentinel, 2024
Concrete
95x75x5cm

Meej Douglas

‘I Am Asking For Permission To Bleed Softly’
Film Still

Hollie Palmer

Cabbage Patch
100x60x50cm
Wool Hessian Wire

Hollie Palmer

A Forgotten Slump
230x170cm
Materials Wool & Hessian

Hannah Kate Absalom

Newlyth Sacellum Stele, 2024
Concrete
25x25x25cm

contact information

Email: [email protected]
Socials: @meejdoug @hkaart @holl_palmer @bodie.stanley @_dood1es
Website: https://thiscrueltemple.cargo.site