Conviction Fair

curated by
Zhen Feng Ang

Unit 3, Euston Tower, 286 Euston Road, NW1 3DP
PV: 3rd July, 6 – 9pm

RSVP

Open: 4th July – 9th August 2025, Thursday – Sunday, 12 – 6pm

In an era where truth is fragmented, Conviction Fair delves into the labyrinth of contemporary belief systems, examining how one constructs reality amid rampant media distrust and contradictory information streams. Through mixed-media works by seven artists, the exhibition unpacks the coping mechanisms to navigate conflicting systems of persuasion and uncertainty.

Borrowing from the imagery of a marketplace, Conviction Fair imagines beliefs, ideals, and personal truths as commodities to be consumed, exchanged, or discarded in a concept-driven economy. Today’s information landscape resembles a crowded fair, where every vendor shouts to be heard. Just as every London restaurant claims ‘authentic’ cuisine and every booth at the fair insists on having the ‘best’ goods, information and idea sources compete for our conviction. Rather than offering clarity, this environment overwhelms with persuasive messages: authenticity becomes branding, and conviction becomes a limited resource under constant demand.

The works address three main aspects: the symbolisms that shape perspective; environmental cues that guide collective compliance; and the ongoing adaptation required in a rapidly shifting era. Here, conviction is less about fixed certainty and more about the performance of making sense of the world.

Set against the backdrop of a post-truth landscape, where emotions and pre-existing beliefs often precede factual accuracy, the exhibition highlights the cultural and political conditions that influence how information is crafted, contested, and consumed into a personal truth, with Donald Trump’s return and AI-generated deepfake content serving as one of many symptoms of this shifting landscape. Drawing on theorist Chantal Mouffe’s conception of public space as inherently conflictual, the exhibition reflects on how ideological struggle shapes not only political discourse but also personal meaning-making. In the absence of clarity, and under the pressure to act, viewers are left to reckon with the “belief-action gap”, the gap between what one claims to value and what one does.

Featuring new works by Ka Chun Chung, Amelia Akiko Frank, Jonah Hoffman, Natalya Marconini Falconer, Poppy O’Brien, Roman Sheppard Dawson, and Alexander Tarasenko, the exhibition positions the artists as exhibitors in a fairground. Visitors are invited to test and toy with the increasingly fragmented and unstable systems of belief.

Ka Chun Chung(Ken), @hkkckc
Amelia Akiko Frank, @a.kitsu
Jonah Hoffman, @jonah.hoff
Natalya Marconini Falconer, @natalyamfalc
Poppy O’Brien, @poppyobrienstudio, 
Roman Sheppard Dawson, @romanshepdaw
Alexander Tarasenk(Sasha), @alexander.tarasenko

Artists

Ka Chun Chung
Amelia Akiko Frank
Jonah Hoffman
Natalya Marconini Falconer
Poppy O’Brien
Roman Sheppard Dawson
Alexander Tarasenko

artwork list

Poppy O’Brien

060225, 2025
Aluminium, spray-paint
30 x 30 cm

Poppy O'Brien

060225, 2025
Aluminium, spray-paint
30 x 30 cm

Poppy O'Brien

060225, 2025
Aluminium, spray-paint
30 x 30 cm

Poppy O'Brien

060225, 2025
Aluminium, spray-paint
30 x 30 cm

Amelia Akiko Frank

The Enermy, 2025
Graphite on paper in shaped sapele frame
175 x 45 cm

Natalya Marconini Falconer

Husk, 2025
Fiat 500 hub cab, aluminium pulley, steel wire
rope, fennel seeds, thread

Natalya Marconini Falconer

Sterili, 2025
Mild steel, woven polypropylene sand bag,
aluminium, hand blown glass, iron pick axe, Fiat
500 hub cab, thread, fennel seed, iron nails,
pumice, found shell, aluminium angles, glass
wax

Jonah Hoffman

Asm Mines, Refiners, Open Markets, 2025
Oil on linen
190 x 142 cm

Jonah Hoffman

Cabinet of the Prime Minister / Sketch of The
Mine, 2025
Oil on linen
75 x 100 cm

Jonah Hoffman

The Role of Critical Minerals in Clean Energy
Transitions, 2025
Oil on linen
150 x 112 cm

contact information

Email: [email protected]
Socials: @fengz_ang